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Irrational, genius, surreal as his paintings, but my good friend, Leo Gariano. The content

'The scope of the surreal - Gariano Leone wrote himself - albeit with various facets and aspects, it fits me.''
For those who knew him well not only left us a great painter, but a witty and intelligent man, a lover of classical music and opera, in two words, a great artist.
His painting is a fascinating, linked to values \u200b\u200bof fantasy and magic, even baroque in their construction: Gariano is in fact a lazy fantasy, but is a tireless explorer of dreams, rich, infinite, sometimes tangled piecewise linear, able to know how to''unmask''the simplicity of the complication, fitting in''life to life,''on ... (Geno Pampaloni).


paints dreamy atmospheres and trance, memories and future expectations, past and present, life and death, unconscious and imagination, which are portrayed elle tangles of foliage, fascinating birds and unknown, female idols from the disturbing beauty, Aztec warriors, symbols of strength and attraction for the burial, strange and disturbing the seabed, lush, imaginative, alive, out of time, and often the world.



The charm of his work which does not really believe that through their art, stories Gariano also the meaning of life and the disintegration of values, and impending death causing a deterioration of the fragile ...... Hello
Leone, bon voyage.

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Mauro Volpini in Genoa October 19

October 19, Piazza Paolo Danovi in \u200b\u200bGenoa, the Tenor Mauro Volpini will hold a concert in support of the Order of Immaculatine. A Dangora (Ethiopia) is a well. We try, we also hope in your help. Meet at 16 then, and have fun.


"My Way" sung by Mauro Volpini.

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SINGING PART 4 \u200b\u200bFOLLOWS


IV - SKILLS 'VOICE
changing the tone, intensity, height, or undergoing changes environmental, vocal technique should remain the same, you just have to adapt these parameters.

Since the voice materialized as are all the other instruments, which is why most difficult to control. For this reason, the opera singer must have at its disposal a technique s ICUR , aware, based u feel and precise movements that allow him, when he will perform in large halls, theaters, churches, outdoors or in soundproof studios, a Do not miss the full mastery of his voice.

Search the capacity of the voice trying to get her out "forward" is a fundamental error. This encourages them to "push" to contract the larynx, vocal cords, to restrict the resonant cavity and placing too much pressure, so the effort to develop a behavior generalized to the whole body, with all the consequences that may entail on the larynx and on the stamp.

must know that to err on the intensity does not mean that the voice comes better, what matters first and foremost, is to achieve a good distribution of muscular and organic correct attitude, a consistent voice that holds all 'spoken by the greatest wealth acoustics.