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Irrational, genius, surreal as his paintings, but my good friend, Leo Gariano. The content

'The scope of the surreal - Gariano Leone wrote himself - albeit with various facets and aspects, it fits me.''
For those who knew him well not only left us a great painter, but a witty and intelligent man, a lover of classical music and opera, in two words, a great artist.
His painting is a fascinating, linked to values \u200b\u200bof fantasy and magic, even baroque in their construction: Gariano is in fact a lazy fantasy, but is a tireless explorer of dreams, rich, infinite, sometimes tangled piecewise linear, able to know how to''unmask''the simplicity of the complication, fitting in''life to life,''on ... (Geno Pampaloni).


paints dreamy atmospheres and trance, memories and future expectations, past and present, life and death, unconscious and imagination, which are portrayed elle tangles of foliage, fascinating birds and unknown, female idols from the disturbing beauty, Aztec warriors, symbols of strength and attraction for the burial, strange and disturbing the seabed, lush, imaginative, alive, out of time, and often the world.



The charm of his work which does not really believe that through their art, stories Gariano also the meaning of life and the disintegration of values, and impending death causing a deterioration of the fragile ...... Hello
Leone, bon voyage.

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Mauro Volpini in Genoa October 19

October 19, Piazza Paolo Danovi in \u200b\u200bGenoa, the Tenor Mauro Volpini will hold a concert in support of the Order of Immaculatine. A Dangora (Ethiopia) is a well. We try, we also hope in your help. Meet at 16 then, and have fun.


"My Way" sung by Mauro Volpini.

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SINGING PART 4 \u200b\u200bFOLLOWS


IV - SKILLS 'VOICE
changing the tone, intensity, height, or undergoing changes environmental, vocal technique should remain the same, you just have to adapt these parameters.

Since the voice materialized as are all the other instruments, which is why most difficult to control. For this reason, the opera singer must have at its disposal a technique s ICUR , aware, based u feel and precise movements that allow him, when he will perform in large halls, theaters, churches, outdoors or in soundproof studios, a Do not miss the full mastery of his voice.

Search the capacity of the voice trying to get her out "forward" is a fundamental error. This encourages them to "push" to contract the larynx, vocal cords, to restrict the resonant cavity and placing too much pressure, so the effort to develop a behavior generalized to the whole body, with all the consequences that may entail on the larynx and on the stamp.

must know that to err on the intensity does not mean that the voice comes better, what matters first and foremost, is to achieve a good distribution of muscular and organic correct attitude, a consistent voice that holds all 'spoken by the greatest wealth acoustics.

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Here's another INTERPRETATION OF THE GREAT TENOR GENOVESE MAURO Volpini.

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MAURO VOLPINO was born in Genoa. STUDENT OF THE GREAT ILLESBERG. "Andrea Chenier" E 'ONE OF THE MANY WORKS FROM THE CONTENT staged GENOVESE, which include TOSCA, Masked Ball, Pagliacci, Cavalleria Rusticana, Turandot, Carmen, Otello Advertising Archive ....
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FOLLOWS SINGING PART 3 FOLLOWS

THE HOMOGENEOUS PART!

a sound when you say consistent, fundamental quality! And depending on the areas of vocal resonance, and dissemination of an ongoing interaction with different sounds, is fully realized by harmonizing with all bodies involved in the speech, on the whole extent and all the vowels.

precise intonation!

is in parallel with a smooth hand, that is a pressure problem, tone,
well controlled and distributed, as determined by a good approach to the cavity resonance is achieved by careful control hearing. Some opera singers
"DECREASE!" Tone, as do not support the breath and diaphragmatic muscles properly.

Other singers "growth" of tone, because they give too much pressure that is pushing the sound is located too high false and salt.


richness of expression "Vibrato"

The interest is aesthetic, has a key role, giving voice to the richness of expression.
His emotional power also has influence on the vocal timbre, vibrato created by the singer or better in natural gift, is of important musical action.
You can acquire that increasingly takes hold of the technique.
Vibration free voice is flat, expressionless, missing human warmth, a cultivated voice.

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SINGING SINGING PART 2 FOLLOWS

The characteristics of an opera singer

For a lyric, you can change at will the width of the vocal sound, the pitch, duration . Hence the need to develop fluency and muscle strength. It will be useful to make this an appropriate technique, a control auditory, precise movements, all coordinated by good conditions for parameter.

To change you must change the airway pressure, increase the degree of abdominal muscle tone, and volume of the cavity above the larynx. And a good abdominal support gives us the powerful voice and an enrichment of the spectrum.

Here is the result of acoustic phenomena located above the larynx involving the lips and cheeks enriched harmonic intensity. The so-called "emission mask voice."

The tonal richness is a function of the use of resonators supraglottic pressure, the position of the larynx move upward, closing glottidea, will be defined as the stamp in his report of the grain in color with large, round sound. Thick ascending or descending order in relation to the tone of the vocal cords the intensity increases with the tone from eighty to one hundred twenty decibels. While it will be the realization of the physiological mechanism of the voice, which develop and appreciate the natural timbre of the singer.

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1 ° Part

practical knowledge and experience to help support those who wish or who they need.

It is often said an opera singer: "What a beautiful voice!" would be more correct, if we want to congratulate the artist, say so: "How beautifully you sing!" . As the beautiful voice is a gift of God! "How beautifully you sing," however, is that a compliment to the artist, his tenacity to learn the mysteries of the sum voice, her intelligence to use it and apply.

Masters already claimed part of the Italian Renaissance "The song is breathtaking."

Which energy source is the breath! Backed by a diaphragm well-exercised, it will allow us to adjust, to enrich, to maintain sound and expressive voice in the service of music, capable of arousing strong emotions, the ultimate goal of every talented artist.

No musical instrument is comparable to the singing voice because it has the unique privilege of being able to add a text to music.

There is something of an intangible to guess, to feel, express, which is not written on the staff, involving intelligence, expression, emotion, sensitivity, interpretation, heart and feelings that resonate inwardly he feels vibrant and free , as if it came from him the same emotional force that magically manages to convey to the audience rapt, emotional pathos in a miracle! the infinite nuances of his voice, his expressive power, reflect the artist's temperament and personality, which reveal the inseparable whole.

Among diaphragm and voice, so there are close relations with them are externalizing the clearance of the musical work and the public.

This can happen only by acquiring a safe and impeccable vocal technique, which allows to master the difficulties that will face gradually and will be only with the mastering the winds, which can overcome them and use them to his advantage. follows ...............