IV - SKILLS 'VOICE
changing the tone, intensity, height, or undergoing changes environmental, vocal technique should remain the same, you just have to adapt these parameters.
Since the voice materialized as are all the other instruments, which is why most difficult to control. For this reason, the opera singer must have at its disposal a technique s ICUR , aware, based u feel and precise movements that allow him, when he will perform in large halls, theaters, churches, outdoors or in soundproof studios, a Do not miss the full mastery of his voice.
Search the capacity of the voice trying to get her out "forward" is a fundamental error. This encourages them to "push" to contract the larynx, vocal cords, to restrict the resonant cavity and placing too much pressure, so the effort to develop a behavior generalized to the whole body, with all the consequences that may entail on the larynx and on the stamp.
must know that to err on the intensity does not mean that the voice comes better, what matters first and foremost, is to achieve a good distribution of muscular and organic correct attitude, a consistent voice that holds all 'spoken by the greatest wealth acoustics.
